Using​ ​comics​ ​as​ ​a​ ​means​ ​of​ ​exploring​ ​this​ ​dynamic​ ​relationship,​ ​my​ ​project​ ​employs satire​ ​to​ ​examine​ ​and​ ​speculate​ ​possible​ ​scenarios​ ​that​ ​emerge​ ​from​ ​how​ ​museum-goers​ ​interact with​ ​works​ ​in​ ​light​ ​of​ ​their​ ​own​ ​preconceptions,​ ​past​ ​encounters,​ ​current​ ​sociopolitical​ ​climate, and​ ​the​ ​imposed​ ​ritual​ ​script​ ​of​ ​the​ ​institution.​ ​​In​ ​order​ ​to​ ​garner​ ​more​ ​attention​ ​and​ ​maximize the​ ​exposure​ ​of​ ​these​ ​comics,​ ​they​ ​are​ ​to​ ​be​ ​printed​ ​on​ ​the​ ​backside​ ​of​ ​entry​ ​tickets.​ ​​The​ ​title​ ​will​ ​allude​ ​to​ ​the​ ​content​ ​of​ ​the​ ​comic,​ ​providing​ ​some​ ​context without​ ​using​ ​extensive​ ​descriptions.​